Choosing a batch of colours that sit together can be a bit frustrating at times. For people who paint and sketch they can often see a good colour scheme in life, directly in front of them.To my mind this is an easy way to discover colour. Textile artists often let the materials indicate the colour scheme. So a quilter will choose a patterned fabric and select colours found within that print and match threads and accessories to those colours.
But what does a designer do? How does the designer who created that fabric print come up with some fresh colour schemes? How can you come up with fresh colour schemes?
The interactive learning unit at ILU has designed an excellent colour calculator for designers. This is code, for me saying there is a fun designers toy to play with.
The Color Calculator is simple to use. You choose a base colour, then select a harmony. Simple! As you ‘play’ with this online tool and ‘playing’ with the complementary, monochromatic colour, analogous, split complements, triadic and tetradic colour schemes you can see how they each work.
The slider on the left will shift the key ie the saturation and you can either print or save as pdf via your printer settings.
Scroll down the page to read about the basics of colour theory. If you have never done any art training these basics will prove very useful if you have a reminder never does any harm and then your ‘play’ with Color Calculator will consolidate what you know.
As you can see with Spring her in Australia I am in Summerish mood! Now could these be the colours of new website? Mmm … thinks to self candy ice cream colours could be fun …
Having built a couple of instruments I was intrigued to encounter this rather amazing baroque-looking automaton. Like something out of Leonardo da Vinci’s imagination, this ‘Resonant Chamber’ is actually an extraordinary animation, so well realised and detailed that it comes across as truly plausible.
The company – Animusic LLC – produces computer animations with a focus on music. What makes this work so well is that they are not an animation set to music, but rather, they are perfectly rendered and articulated 3D models that are driven by the music.
Founded by Wayne Lytle, Animusic is based in New York. It was initially called Visual Music, changed to Animusic in 1995.
The music drives the animation, so each sound is associated with a plausible action. In addition the model is rendered with very lifelike wooden textures so it really looks as though it could work if built in real life. The animated models are created first, and are then programmed to follow what the music “tells them” to. The lighting is spectacular. The whole thing is brilliantly realised, and well worth checking out the rest of their animations.